“ Optima” for example may be replaced with “ Arial” or “ Georgia” replaced with “ Times Roman.” Sometimes such substitutions alter the way a page looks, usually for the worse. If, however, you use a hard-to-get fancy font, the reader’s machine will substitute the closest font available to render your document readable. If you use these three fonts you can rest assured that your document will appear in the receiving end in the same fonts that you have used on your machine. The most famous of these system fonts are Arial, Times Roman, and Courier. When it comes to fonts, less is always more.Ĥ) Do not assume that all computers have access to every font you have.Īll computers, however, come with a set of built-in “system fonts” that are installed automatically by the operating system. A profusion of typefaces creates confusion in the reader’s mind. Thus use it sparingly, like using pepper while cooking.ģ) Do not use more than two or a maximum of three typefaces in your technical documents. However, some authors compose a whole page in Italic! That defies the whole purpose of the Italic style.Įvery time you use Italic font, be aware that you are making your words harder to read. That’s why, in a block of readable text, it makes sense to emphasize a word or a phrase by printing it in Italic.
That’s the rule Medium follows.Ģ) ITALIC is designed to attract attention to itself by virtue of being hard to read. Courtesy of Wikipedia Recommended Rulesġ) Select your headlines from NON-SERIF fonts (like Arial, Helvetica, Verdana, Tahoma, Futura, Optima) and your body text from SERIF fonts (like Roman, Times Roman, Times New Roman, Georgia, Bookman). “Times Roman,” for example, is a famous serif font and “Arial” is an equally famous non-serif font.Ī non-serif font. That’s why font families are split into two major categories: Serif and Non-Serif fonts.Ī serif is a small tail- or wedge-like appendage that extends outward from the end of a letter or symbol. The most basic distinction about fonts is whether they have a “ serif” or not. How to Select FontsĪs a book writer, you should be aware of certain basics about fonts and some basic rules to observe in your documents. For example, “Arial 12 Bold” and “Arial 14 Italic” become “typefaces” in this new on-line design environment. Since size, weight, and style of a font can be changed easily on a computer, the fonts that have different attributes (like weight and size) are referred to these days simply as a “typeface”. However, the introduction of computers did change some of these basic definitions. This is especially true in print documentation.
Yet, both still belong to the same “font family,” regardless of their attributes.
That’s why, technically speaking, “ Arial, 12 pt, Italic” is a different font than “ Arial, 14 pt, Italic” because they do not have identical attributes (size, in this case). Within that “family” there are individual “child” fonts, differing from each other by individual attributes such as “weight,” “style,” “size” etc. Typefaceįirst, you should be aware that when we commonly refer to a “ font” in the daily language we’re usually referring to a “ font family.” It is also known as “ font-face” or “ typeface” (both spelled with and without a hyphen, depending on the author).Ī “ font-family” or “ typeface” includes all letters of a given alphabet in one or more font sizes, all the punctuation marks, all numbers and a selected set of symbols.įor example, “ Helvetica,” “ Arial,” “ Times Roman” are all font families.
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